As it turns out, the levees broke long before Katrina. In the ’80s and ’90s, New Orleans birthed musical lineages that would haunt the underground and rule the world. Detuned and devastating, they rose from the swamps and from the amplifiers of men who knelt at the altar of The Almighty Riff. Who toiled in their Iommic studies and learned those lessons as if their lives depended upon them. They populated and propagated the pedigrees that brought you the dope-sick sludge of Eyehategod, the cinder-block doom of Crowbar, the brash Southern crossover of Corrosion of Conformity (via North Carolina) and the platinum power-grooves of Pantera (via Dallas, Texas). That’d be Jimmy Bower, Kirk Windstein, Pepper Keenan, Rex Brown and Philip Anselmo, more or less. But mostly more.
For the members of DOWN, it’s home. Sweet home. It’s ground zero. For a state of mind beset on all sides by too much tepid water, too many pills, barely enough weed and never enough Black Sabbath. Yeah, it might seem like the only way you could draw a straight line between the industrial wasteland of Birmingham, England—birthplace of Sabbath (and Judas Priest) to the festering cultural bouillabaisse of the Big Easy would be with a pencil and a ruler, but that ain’t necessarily the case. At least not since DOWN have been around, which by all accounts dates back to 1991, when then-Pantera frontman Phil Anselmo and Corrosion of Conformity frontman Pepper Keenan would trade tapes and listen to the doom-ridden prophecies of certified Sabbath heads like Saint Vitus and Trouble as well as Pentagram. Therein lies the genesis of DOWN, the eternal brotherhood into which Bower, Windstein and (eventually) Brown were later initiated.
Which is to say Sabbath is pretty much the key here, the origin of the bloodline, as it were. As loud and heavy and stoned and powerful as you can handle it. The coda to the film in this very package tells the tale: “Bust Up, Tune Down, Sabb Off.” And as DOWN’s 2004 Ozzfest appearance indicated, the Drab Four smile upon DOWN like DOWN smiles upon their own many and misbegotten spawn: the fans getting their faces ruled at the shows on this DVD, the kids who started bands after being inspired by what they heard; the kids who aren’t kids anymore but grown-ass men with highly respected (and respectable) musical outfits of their own. The names are many—too many to mention here, perhaps—but they wear their DOWN t-shirts (and DOWN tattoos) with pride.
But we were talking about New Orleans, where the wards teem with secrets and crawl with ghosts. You can see ’em in the Clarence John Laughlin photographs that grace the inner sleeve of DOWN’s unstoppable 1995 debut, NOLA. The product of floods, sweat and beers, it was an album of wall-to-wall motherfuckers without a filler cut in the bunch. From the towering Vitus-inspired doom of “Temptation’s Wings” and thundering power-grooves of “Lifer” and “Underneath Everything” to the haunting thickly muscled swamp-swing of “Stone the Crow” and the ultimate reefer death-dirge that is “Bury Me In Smoke,” the album chiseled a template in granite like a headstone in a potter’s field.
DOWN played roughly 25 shows between ’91 and ’02, with Crowbar bassist Todd Strange holding down the low end with all 400 or so pounds of his substantial girth. But soon Anselmo, Keenan, Windstein, and Bower were crisscrossing the globe in their other bands, and Down was necessarily placed on the proverbial back burner, a “side project” that looked increasingly like a one-off as the years passed and the individual members soldiered through the hard-won triumphs and squalid tribulations of the lifer experience. And yet in 2002, DOWN emerged from their self-enforced slumber with DOWN II: A Bustle In Your Hedgerow—and with Anselmo’s Pantera bandmate Rex Brown now on bass. Not unlike its predecessor, the album unleashed gargantuan bolts of detuned lightning like “Lysergick Funeral Procession,” “Ghosts Along The Mississippi” and “New Orleans Is A Dying Whore.” DOWN, it would seem, were back, edging ever closer to something like full-time status. But it was not to be. Not yet, anyway.
The day of reckoning came in 2005, when DOWN reunited in the wake of Pantera’s permanent and untimely demise. The following year—that’s The Year Of VI in Down-speak—the band stomped all over Europe for six straight weeks while a crack camera crew shot the concert film you currently hold in your sweaty paws with a certain sense of anticipation that can only be satisfied by pressing PLAY. Performing sold-out shows across the Old World with no promotion, no record label and no opening band, DOWN tore new ones from Hamburg to Stockholm and back again, culminating in an unannounced set in front of untold tens of thousands on the main stage at the Download Festival in Leicestershire, England. What you’ll witness on the enclosed audio-visual extravaganza is the unvarnished (“sour notes and screw-ups included,” Anselmo tells us) deliverance of the fucking goods from that six-week excursion, the merciless reaming of an entire continent, and the true grit of five lifers in the Brotherhood Of Eternal Sleep.
In Cologne, Germany, Anselmo sends “Lifer” out to fallen Pantera guitarist Dimebag Darrell, who was gunned down onstage in Ohio in 2004, “and all our other brothers we lost along the goddamn way.” There’s Keenan, a close-up of his grizzled mug. And that fucking riff. The one from “Lifer” gets us every goddamn time.
Nottingham’s Rock City gets a face-full of “New Orleans Is A Dying Whore.” Keenan and Windstein churn out the opening salvo like it owes them money, on twin SGs, no less. In Copenhagen, the lighters come out for “Jail.” Backstage, the living legends of Europe’s metal underground turn out in force. There’s Cronos from Venom in Manchester, England. The dudes from Witchcraft in Stockholm. The black metal trifecta of Fenriz (Darkthrone), Satyr (Satyricon) and Frost (Satyricon, Gorgoroth, 1349) in Oslo.
At Download, Bower’s drums sound like fucking cannons and Rex’s bass, bulldozing. It’s “Bury Me In Smoke,” the grand finale to end all grand finales—and a sea of thousands to match a riff a thousand years wide. It’s before noon and the sun is blazing, cooking all that tender British flesh to an angry pink crisp. There’s a pit … make that several pits. There’s a false start, followed by threats and allegations. But the riff rides out, steamrolling everything, transcending all. And then the band’s performance and purpose is cemented as Anselmo tells the swirling masses, “Live long, live legendary.”
These are the precise words DOWN lives by.
Los Angeles, 2010
Diary of a Mad Band hits stores on October 5th, and features a 2 CD full concert, live in London! The DVD highlights documented footage marking the 2006 return of DOWN from the practice room through their first European tour, and a bonus behind-the-scenes featurette entitled ‘Tyrades and Shananigans’. The DVD closes in at a blistering 130 minutes!
DVD: Diary of a Mad Band
w/ BONUS DVD FEATURETTE ‘Tyrades and Shananigans’
1. Lysergic Funeral Procession
3. Losing All
5. New Orleans Is A Dying Whore
6. Ghosts Along The Mississippi
7. Learn From This Mistake
8. Underneath Everything
9. Temptation’s Wings
10. There’s Something On My Side
11. Hail The Leaf
13. The Seed
14. Eyes Of The South
16. Stone The Crows
17. Bury Me In Smoke
2 CD: LIVE IN EUROPE
1. Losing All
3. Lysergic Funeral Procession
5. Temptations Wings
6. Ghosts Along The Mississippi
7. Learn From This Mistake
8. Hail The Leaf
9. New Orleans Is A Dying Whore
10. Lies, I Don’t Know What They Say But…
11. Underneath Everything
12. The Seed
13. Eyes Of The South
15. Stone The Crows
16. Bury Me In Smoke
SLAYER to release ‘Live Intrusion’ on DVD and rerelease ‘Still Reigning’ & ‘War At The Warfield’ August 17th
On August 17th, 2010, SLAYER‘s 2003′s War At The Warfield and 2004′s Still Reigning will be reissued, and, for the first time ever, 1995′s Live Intrusion, having been digitally remastered, will also be available on DVD. All three will be sold separately at retail and online ($13.98 each), and the Limited Edition Slayer Live DVD 3-Pak ($29.98), will be available exclusively on Slayer‘s website.
“I remember around God Hates Us All,” said Slayer‘s Kerry King, “asking when we were going to make a DVD of Live Intrusion. So, here we are, ten years later, and it’s about time.”
Every one of the Slayer live-in-concert DVDs represents a different era of the band:
Live Intrusion was recorded on March 12th, 1995 at the Mesa Amphitheatre in Mesa, AZ, and features guitarists Kerry King and Jeff Hanneman, bassist/vocalist Tom Araya, and drummer Paul Bostaph. The disc, which is certified Gold, includes some of the most classic Slayer songs such as ‘Raining Blood‘ and ‘War Ensemble‘, but also some early special tracks like ‘At Dawn They Sleep‘ and ‘Captor Of Sin‘. As a bonus, MACHINE HEAD‘s Robb Flynn and Chris Kontos join the band on-stage for a cover of VENOM‘s ‘Witching Hour‘. The opening of Live Intrusion features a look at some of the band’s very unique fans, in particular, with special emphasis placed upon the fan from the mid-90s who had “Slayer” carved onto his forearm. In addition, the quality of Live Intrusion is high-end, as the original VHS master was located and used to create the DVD.
War At The Warfield was filmed at the Warfield Theatre in San Francisco, CA on December 7th, 2001, and like Live Intrusion, features drummer Paul Bostaph, marking his last release with Slayer before original drummer, Dave Lombardo, rejoined the band. ‘Seasons In The Abyss‘, ‘Mandatory Suicide‘, and ‘Disciple‘ are some of the jewels on this live collection that debuted at #3 on Billboard’s DVD chart, and has since been certified Gold.
Filmed at the Civic Center in Augusta, ME on July 11th, 2004, Still Reigning – also Gold certified and voted Best Live DVD by the readers of Revolver magazine – was directed by Dean Karr and recreates Slayer‘s thrash/punk, 28-minute classic 1986 album Reign In Blood performed in its entirety. The end of the video features the “Wall of Blood“, with the band, their instruments, and the stage completely drenched by a downpour of 150 liters of “blood“.
For more SLAYER click here.
According to Slayerized.com, SLAYER‘s classic first home video, “Live Intrusion“, which was first released in 1995 on VHS, will finally be issued on DVD this summer. “Live Intrusion” is currently scheduled to be released in the U.K. on Monday, August 16 and in Germany on Friday, August 27.
Filmed on SLAYER‘s “Divine Intervention” tour at the Mesa Amphitheater in Mesa, Arizona, on March 12, 1995, “Live Intrusion” features classic performances of “Raining Blood“, “At Dawn They Sleep” and “Hell Awaits“, as well as a cover version of the VENOM song “Witching Hour“, performed by SLAYER with Chris Kontos and Robb Flynn of MACHINE HEAD.