Away Team

The 2011 Metalliance Tour has just announced the complete line up for their already impressive and highly anticipated tour. The run of dates are now complete and will be supported by metal heavyweights KYLESA, RED FANG, HOWL and ATLAS MOTH. The tour organizers had the honor of having Brian Mercer also provide all of the visuals and artwork for The Metalliance Tour. He is best known for creating artwork for such bands as EYEHATEGOD, ZOROASTER, BLACK TUSK, LAMB of GOD and countless others.

Dates have officially been announced. The tour sponsored by Revolver Magazine, Loudtrax.com, Brooklyn Vegan, Mosh Potatoes Cookbook and Giddy Up! Sauces is proud to announce HELMET, SAINT VITUS and CROWBAR for its inaugural line up. “We are glad to be part of this tour; I think it’s a great bill. The bands I have heard so far each have a strong musical identity as opposed to so much of the generic, lowest common denominator music out there,” says HELMET front man Page Hamilton.

03/17/11 Dallas, TX @ Southside Music Hall
03/18/11 Austin, TX @ Dirty Dog / SXSW
03/19/11 New Orleans, LA @ One Eyed Jacks
03/20/11 St Petersburg, FL @ State Theater
03/21/11 Orlando, FL @ Firestone Live
03/22/11 Greensboro, NC @ Greene Street
03/23/11 Springfield, VA @ Jaxx
03/24/11 Worcester, MA @ Palladium
03/25/11 New York, NY @ Irving Plaza
03/26/11 Cleveland, OH @ Peabody’s
03/27/11 Joliet, IL @ Mojoe’s
03/29/11 Denver, CO @ The Summit
03/31/11 Portland, OR @ Roseland Theater
04/01/11 Seattle, WA @ El Corazon
04/03/11 San Francisco, CA @ Mezzanine
04/05/11 Hollywood, CA @ House Of Blues

Legendary alternative metal band HELMET will perform their 1992 platinum-selling release of Meantime in its entirety. The Interscope Records release gave the band mainstream attention with songs like “Unsung” and “In The Meantime”. With the band’s renewed success after getting back together in 2004, this tour will be one of the most anticipated of 2011.

One of the most highly influential Doom Metal bands in America, SAINT VITUS are regarded as one of the first bands of the genre starting out as early as the 1970’s. The band featuring Scott “Wino” Weinrich, bassist Mark Adams, guitarist Dave Chandler and drummer Henry Vasquez have influenced so many bands in Doom and Metal . “Saint Vitus is more than ready to infect The Metalliance Tour! We’ve been wanting to do something like this for some time now…so prepare for destruction!!” says lead guitarist Dave Chandler. The band has done a handful of shows and some European Festivals but this will be their first full US tour in over a decade.

CROWBAR front man Kirk Windstein concludes, “Wow! This tour is gonna rule! I’ve loved Helmet since the beginning and loved St. Vitus even longer. With the new Crowbar record having hit the streets by then, look out! This bill will bring just what we need to crush each city with an avalanche of stylistic thunder!”

For more METALLIANCE TOUR click here.

We don’t need to rave about the well-known legacy of the man who is Scott Weinrich, better known as WINO. With dozens of albums released throughout his time spent in THE OBSESSED, SAINT VITUS, SHINE, SPIRIT CARAVAN, THE HIDDEN HAND, SHRINEBUILDER, Dave Grohl‘s PROBOT project and much more since the late ’70s, his mammoth and varied resume spans nearly three full decades, essentially set him up as a purveyor and forerunner of the entire genre we now call doom rock. A true legend; this is Wino. But, with the release of the humble but legendary musician’s new solo album, Adrift, a side of the man that most haven’t heard is being uncovered for the first time.

Answering the call from his friends and supporters to record an acoustic solo album following the sudden and tragic passing of friend and bandmate Jon Blank, who appeared on Wino‘s first “solo release” Punctuated Equilibrium album in 2009, he set to work on his most personal and powerful recording to date. Adrift is a revealing alternative view of this underground legend’s personality and history. Stripped down to the bare minimum — just his voice and his guitar — the songs on Adrift follow classic American songwriting ideals offering a compelling mixture of emotion and storytelling.

Wino is a man on his own in a boat without sails. He’s fighting against tides and storms, enjoying the moments of bright sunshine; bound to the will of something external — the wind, destiny and the drift. Easily his most heartfelt and personal material to be recorded to date, the twelve tracks on Adrift help elevate this already iconic musician to a new level of storytelling, setting Wino up to fall right in line with greats like JOHNNY CASH, WOODIE GUTHRIE, NEIL YOUNG, BOB DYLAN and other classic American songwriters.

Adrift tracklisting:
Adrift
I Don’t Care
Hold On Love
Mala Suerte
Old And Alone
Iron Horse/Born To Lose
Suzanes Song
DBear
Whatever
Shot In The Head
O.B.E.
Green Speed

Adrift is set for official release on respected German label Exile On Mainstream Records March 8th, 2011 in North America, the label now distributed domestically by E1 Entertainment. A limited edition vinyl version of the album featuring extended liner notes and more is to be released in the US on January 18th by Volcom Entertainment.

Wino will hit the road stateside this February on a short acoustic tour, rocking alongside longtime friend, and also Shrinebuilder bandmate, SCOTT KELLY (NEUROSIS). The tour will be in support of the upcoming split 7″ between Wino and Kelly, to be released early in the year by Volcom, as well as the Adrift album. The tour will venture through California, Texas, Illinois, Massachusetts, Maryland and New York, showcasing both legendary artists each in solo, acoustic mode.

Wino/Scott Kelly 2011 Tour:
February
5 – Viper Room – Hollywood, CA
7 – Casbah – San Diego, CA
8 – Emo’s – Austin, TX
9 – Abbey Pub – Chicago, IL
10 – Great Scott – Allston, MA
11 – Sonar – Baltimore, MD
12 – Mercury Lounge – New York, NY

As it turns out, the levees broke long before Katrina. In the ’80s and ’90s, New Orleans birthed musical lineages that would haunt the underground and rule the world. Detuned and devastating, they rose from the swamps and from the amplifiers of men who knelt at the altar of The Almighty Riff. Who toiled in their Iommic studies and learned those lessons as if their lives depended upon them. They populated and propagated the pedigrees that brought you the dope-sick sludge of Eyehategod, the cinder-block doom of Crowbar, the brash Southern crossover of Corrosion of Conformity (via North Carolina) and the platinum power-grooves of Pantera (via Dallas, Texas). That’d be Jimmy Bower, Kirk Windstein, Pepper Keenan, Rex Brown and Philip Anselmo, more or less. But mostly more.

For the members of DOWN, it’s home. Sweet home. It’s ground zero. For a state of mind beset on all sides by too much tepid water, too many pills, barely enough weed and never enough Black Sabbath. Yeah, it might seem like the only way you could draw a straight line between the industrial wasteland of Birmingham, England—birthplace of Sabbath (and Judas Priest) to the festering cultural bouillabaisse of the Big Easy would be with a pencil and a ruler, but that ain’t necessarily the case. At least not since DOWN have been around, which by all accounts dates back to 1991, when then-Pantera frontman Phil Anselmo and Corrosion of Conformity frontman Pepper Keenan would trade tapes and listen to the doom-ridden prophecies of certified Sabbath heads like Saint Vitus and Trouble as well as Pentagram. Therein lies the genesis of DOWN, the eternal brotherhood into which Bower, Windstein and (eventually) Brown were later initiated.

Which is to say Sabbath is pretty much the key here, the origin of the bloodline, as it were. As loud and heavy and stoned and powerful as you can handle it. The coda to the film in this very package tells the tale: “Bust Up, Tune Down, Sabb Off.” And as DOWN’s 2004 Ozzfest appearance indicated, the Drab Four smile upon DOWN like DOWN smiles upon their own many and misbegotten spawn: the fans getting their faces ruled at the shows on this DVD, the kids who started bands after being inspired by what they heard; the kids who aren’t kids anymore but grown-ass men with highly respected (and respectable) musical outfits of their own. The names are many—too many to mention here, perhaps—but they wear their DOWN t-shirts (and DOWN tattoos) with pride.

But we were talking about New Orleans, where the wards teem with secrets and crawl with ghosts. You can see ’em in the Clarence John Laughlin photographs that grace the inner sleeve of DOWN’s unstoppable 1995 debut, NOLA. The product of floods, sweat and beers, it was an album of wall-to-wall motherfuckers without a filler cut in the bunch. From the towering Vitus-inspired doom of “Temptation’s Wings” and thundering power-grooves of “Lifer” and “Underneath Everything” to the haunting thickly muscled swamp-swing of “Stone the Crow” and the ultimate reefer death-dirge that is “Bury Me In Smoke,” the album chiseled a template in granite like a headstone in a potter’s field.

DOWN played roughly 25 shows between ’91 and ’02, with Crowbar bassist Todd Strange holding down the low end with all 400 or so pounds of his substantial girth. But soon Anselmo, Keenan, Windstein, and Bower were crisscrossing the globe in their other bands, and Down was necessarily placed on the proverbial back burner, a “side project” that looked increasingly like a one-off as the years passed and the individual members soldiered through the hard-won triumphs and squalid tribulations of the lifer experience. And yet in 2002, DOWN emerged from their self-enforced slumber with DOWN II: A Bustle In Your Hedgerow—and with Anselmo’s Pantera bandmate Rex Brown now on bass. Not unlike its predecessor, the album unleashed gargantuan bolts of detuned lightning like “Lysergick Funeral Procession,” “Ghosts Along The Mississippi” and “New Orleans Is A Dying Whore.” DOWN, it would seem, were back, edging ever closer to something like full-time status. But it was not to be. Not yet, anyway.

The day of reckoning came in 2005, when DOWN reunited in the wake of Pantera’s permanent and untimely demise. The following year—that’s The Year Of VI in Down-speak—the band stomped all over Europe for six straight weeks while a crack camera crew shot the concert film you currently hold in your sweaty paws with a certain sense of anticipation that can only be satisfied by pressing PLAY. Performing sold-out shows across the Old World with no promotion, no record label and no opening band, DOWN tore new ones from Hamburg to Stockholm and back again, culminating in an unannounced set in front of untold tens of thousands on the main stage at the Download Festival in Leicestershire, England. What you’ll witness on the enclosed audio-visual extravaganza is the unvarnished (“sour notes and screw-ups included,” Anselmo tells us) deliverance of the fucking goods from that six-week excursion, the merciless reaming of an entire continent, and the true grit of five lifers in the Brotherhood Of Eternal Sleep.

In Cologne, Germany, Anselmo sends “Lifer” out to fallen Pantera guitarist Dimebag Darrell, who was gunned down onstage in Ohio in 2004, “and all our other brothers we lost along the goddamn way.” There’s Keenan, a close-up of his grizzled mug. And that fucking riff. The one from “Lifer” gets us every goddamn time.

Nottingham’s Rock City gets a face-full of “New Orleans Is A Dying Whore.” Keenan and Windstein churn out the opening salvo like it owes them money, on twin SGs, no less. In Copenhagen, the lighters come out for “Jail.” Backstage, the living legends of Europe’s metal underground turn out in force. There’s Cronos from Venom in Manchester, England. The dudes from Witchcraft in Stockholm. The black metal trifecta of Fenriz (Darkthrone), Satyr (Satyricon) and Frost (Satyricon, Gorgoroth, 1349) in Oslo.

At Download, Bower’s drums sound like fucking cannons and Rex’s bass, bulldozing. It’s “Bury Me In Smoke,” the grand finale to end all grand finales—and a sea of thousands to match a riff a thousand years wide. It’s before noon and the sun is blazing, cooking all that tender British flesh to an angry pink crisp. There’s a pit … make that several pits. There’s a false start, followed by threats and allegations. But the riff rides out, steamrolling everything, transcending all. And then the band’s performance and purpose is cemented as Anselmo tells the swirling masses, “Live long, live legendary.”
These are the precise words DOWN lives by.
Good advice.

J. Bennett
Los Angeles, 2010

Diary of a Mad Band hits stores on October 5th, and features a 2 CD full concert, live in London! The DVD highlights documented footage marking the 2006 return of DOWN from the practice room through their first European tour, and a bonus behind-the-scenes featurette entitled ‘Tyrades and Shananigans’. The DVD closes in at a blistering 130 minutes!

DVD: Diary of a Mad Band
w/ BONUS DVD FEATURETTE ‘Tyrades and Shananigans’
1. Lysergic Funeral Procession
2. Lifer
3. Losing All
4. Rehab
5. New Orleans Is A Dying Whore
6. Ghosts Along The Mississippi
7. Learn From This Mistake
8. Underneath Everything
9. Temptation’s Wings
10. There’s Something On My Side
11. Hail The Leaf
12. Lies
13. The Seed
14. Eyes Of The South
15. Jail
16. Stone The Crows
17. Bury Me In Smoke

2 CD: LIVE IN EUROPE
1. Losing All
2. Lifer
3. Lysergic Funeral Procession
4. Rehab
5. Temptations Wings
6. Ghosts Along The Mississippi
7. Learn From This Mistake
8. Hail The Leaf
9. New Orleans Is A Dying Whore
10. Lies, I Don’t Know What They Say But…
11. Underneath Everything
12. The Seed
13. Eyes Of The South
14. Jail
15. Stone The Crows
16. Bury Me In Smoke

To pre-order Diary Of A Mad Band click here.
For more DOWN click here.