Away Team

On July 16, 2011, Deep Purple performed on the closing night of Switzerland’s prestigious Montreux Jazz Festival by re-inventing their classic catalog with the help of a symphony orchestra. This night will forever be emblazoned upon the brains of Deep Purple fans around the world when Eagle Rock Entertainment releases Live At Montreux 2011 simultaneously in DVD, Blu-Ray, and 2CD packages on November 8.

The whole night has been preserved in crystal clarity via high definition for the DVD and Blu-Ray releases. The sound on the 2CD set—DTS Surround Sound, Dolby Digital 5.1, Dolby Digital Stereo—is superb. Included on the DVD and Blu-Ray is a bonus in-depth band interview. Such classics as “Highway Star,” “Strange Kind of Woman,” “Lazy,” “Perfect Strangers,” “Hush,” “Woman From Tokyo,” “Black Night,” “Smoke On The Water” and 11 other gems, as performed with the orchestral sweep behind them, certainly spurred the band on. Ian Gillan (vocals), Ian Paice (drums), Roger Glover (bass), Steve Morse (guitar) and Don Airey (keyboards) can be seen visibly pleased with the results of the orchestra, as directed by Stephen “BK” Bentley-Klein.

This 115-minute concert is emblematic of the kind of shows that Deep Purple has been putting on with amazing consistency as they criss-cross the globe. It’s what their fans have come to expect. The current orchestra tour has proven them capable of transcending genre limitations to reach out for the kind of all-encompassing theatrical presentation that’s hard to forget. Now, with this release, Deep Purple fans around the globe can thrill to this extraordinary pairing of symphonic textures and the hardest of Classic Rock.









To purchase DEEP PURPLE + Orchestra Live at Montreux 2011 click here.

DEEP PURPLE

Phoenix Rising

Eagle Vision

8 out of 10

A good band can withstand a change in guitarist or drummer, a great band can withstand several membership changes, a select few bands can withstand a lead singer change (ok, I can think of two, Genesis and Van Halen), but only one band can have several different lineups and change the personnel of the entire band over and over and over again and still be amazing, relevant, put out quality albums over and over, and most importantly be accepted as that very band with no backlash for the changes.

I’m of course talking about Deep Purple. The band has had so many lineup changes over the year, had so many people in and out of the band that they are actually known by their versions, Mark I, II, III, etc. The band has had 14 different members over the years, they’ve changed every position but one. Ian Paice has been the drummer from day one, and in every incarnation of the band he has been there.

He has kept time for the likes of Ritchie Blackmore, Ian Gillan, David Coverdale, Glen Hughes, Jon Lord, Joe Satriani, Tommy Bolin, Joe Lynn Turner, Rod Evans, Steve Morse, Roger Glover, Don Airey, and Nick Simper. Some amazing talent has performed under the DEEP PURPLE moniker.

Fans to this day still debate the best and their best Marks (or versions) of the band. My personal will always be Mark I. The original. Not to take away anything from the Coverdale/Hughes days, but I was turned on to DP in 1984 when they reunited the DP Mark I and put out Perfect Strangers. It was from that point I went backwards and found one of my all time favorite bands.

The last maybe 10 years the band, or their labels have been putting out some great videos. They’ve taken all their old concert videos, unreleased concerts, and putting together some great packages for the fans.

The latest is Phoenix Rising. And it features Mark IV of DEEP PURPLE. With an unknown (at the time) David Coverdale sharing lead vocal duties with bassist Glenn Hughes, Tommy Bolin on guitar, Jon Lord on keys, and as always Ian Paice on drums, this short lived version never had the chance to record as Tommy Bolin died in 76 of a heroin overdose. But this never before seen concert Rises Over Japan recorded in 1975 at the Budokahn in Tokyo sees the band crank out the classics Burn, Love Child, Highway Star, Stormbringer, Smoke On The Water, Getting Tighter, and Lazy.

Two things jump out at you watching this (especially during Highway Star, and Burn), David Coverdale and Glenn Hughes played off each other insanely well vocally. It was a true stroke of great fortune that the band got both of them at the same time. Because it is also evident during Highway Star that what Ian Gillan did alone vocally required Hughes/Coverdale together to do. David Coverdale hitting the lower, gruffer, bluesier parts, and Hughes hitting the higher notes. What we don’t get to see, but I would love to have is to see Coverdale/Hughes do Child In Time. Again it would absolutely take the talents of both of them to pull off what Gillan did by himself, but it would still be amazing to see them do it together.

The concert is remastered in 5.1 on this Blu Ray disc. And it sounds, well, as great as you’d expect a DEEP PURPLE show to sound. Martin Birch did a great job catching the band tearing through a wild set. The band may not have been the tightest at the time, at least not that night from the looks of things, but the energy, playing, and vibe was there. And of course the great songs. Sadly it is only 30 minutes, but it is a great 30 minutes of a seldom seen version of DEEP PURPLE. And in that, this show is enough to purchase this disc. To see Bolin/Hughes/Coverdale rock out to these great DP songs is more than enough reason to pick up the blu ray. But Rises Over Japan is only 30 minutes of Phoenix Rising. The rest is a never before seen documentary Gettin’ Together. It is culled from years of research, with live shots, backstage footage, interviews, and never before told stories. It tells the best and the worst of the Purple. The highs and lows of a tumultuous time in DP history.

The blu ray will only set you back $20, but you can pick up a regular DVD version for only $15 and a great DVD/CD combo for $20 also. If you are a Deep Purple fan you simply cannot pass this up. If you are lover of 70s rock, this is right up your alley, and if you want to see where David Coverdale cut his teeth before Whitesnake then this is for you too.









DEEP PURPLE – Phoenix Rising is out today. You can pick your copy up here, you’ll thank me later.

Following the departure of lead singer Ronnie James Dio and drummer Vinnie Appice after the studio mixing of the Live Evil album, Black Sabbath were once again on the lookout for yet another lead vocalist to fill the significant void left at stage front. The band turned to ex-Deep Purple lead singer Ian Gillan.

The resultant album and live touring certainly made for one of the more curious associations in the world of heavy metal. Much of this era of Black Sabbath has passed into rock folklore and was actually the source for much of the material used in the rockumentary movie, This Is Spinal Tap. From the replica stage production of Stonehenge which was too large for some of the venues on the world tour to the employment of a dwarf to dress-up and play the part of the ‘devil-baby‘ from the LP front cover, the world of Black Sabbath took-on a distinct air of the surreal.

Whilst the well received Born Again album and live dates succeeded in stoking the embers and kept the Sabbath flames burning, this would ultimately be a marriage built more on friendship and respect as opposed to any long-standing and compatible musical association. After one tour, Ian Gillan would eventually bid farewell and re-join his old sparring partners for the Mk. II reunion of Deep Purple and leave Black Sabbath once more gazing into the crystal ball hoping the face of yet another lead vocalist would reveal itself.

For Iommi, Butler, Ward, Gillan, and keyboardist Geoff Nicholls, work would swiftly commence in May of ’83 at the Manor Studios in the village of Shiptonon-Cherwell, Oxfordshire. Produced by Black Sabbath and co-producer Robin Black, who had also worked on 1975′s Sabotage, 1976′s Technical Ecstasy, and 1978′s Never Say Die, Sabbath‘s eleventh studio release would represent a radical departure from the gloomy atmospherics and blackened lyricism that had forged their identity and spawned innumerable descendants.

Gillan‘s approach to song-writing bespoke a lighter-hearted approach to what had, until then, been the primary concern of Butler. Album-opener Trashed, for instance, was inspired by Gillan‘s boozed-up race around the Manor’s grounds in Bill Ward‘s car that ended in near-catastrophe and a wrecked vehicle. Disturbing The Priest was the result of a door in the studio having been left open during playback, and a local vicar appearing in the doorway asking for the volume to be turned down as it was disturbing choir practice in the adjacent village.

For all of its off-kilter appearance however, Born Again was still Sabbath through and through. Musically twisted and possessed with more than a whiff of brimstone, the album is a thrilling glimpse into an alternative world.

For this re-mastered Deluxe Expanded Edition, a second disc containing two bonus tracks is included, with ‘The Fallen‘ being a previously unreleased studio outtake recorded during the original album session. Also included are nine tracks from the BBC Friday Rock Show broadcast of Black Sabbath‘s appearance at the Reading Rock Festival in August 1983, which also includes a performance of Deep Purple‘s classic ‘Smoke On The Water‘.

The Born Again Deluxe Expanded Edition tracklisting is as follows:
Disc 1 (original album):
Trashed
Stonehenge
Disturbing The Priest
The Dark
Zero The Hero
Digital Bitch
Hot Line
Keep It Warm

Disc 2:
The Fallen (Previously Unreleased Album Session Outtake)
Stonehenge (Extended Version)



Live at the Reading Festival, Saturday August 27 1983
(BBC Friday Rock Show broadcast):
Hot Line
War Pigs (live)
Black Sabbath (live)
The Dark
Zero The Hero
Digital Bitch
Iron Man (live)
Smoke On The Water (live)
Paranoid (live)

For more BLACK SABBATH click here.

In 1989, BLACK SABBATH‘s Tony Iommi and DEEP PURPLE‘s Ian Gillan were just a few names in a long list of talent involved in the re-recording of the classic Deep Purple track ‘Smoke On The Water‘. This song was re-recorded to raise money for those affected by the Leninakan earthquake that struck Armenia in 1988. In October of last year, both Iommi and Gillan travelled to Armenia to see how the funds raised had helped the local community. On their trip they visited a music school only to find it being run out of temporary accommodation, it was only location not to have been rebuilt 20 years after the earthquake had struck.

Next week Iommi and Gillan will be heading back into the studio, joined by keyboardist Jon Lord (ex-Deep Purple, WHITESNAKE) and drummer Nicko McBrain (IRON MAIDEN) to record a new track to raise money to rebuild the Armenian music school. More information about the charity single ‘Out Of My Mind‘ and behind the scenes photos will follow soon.