Away Team

Renowned guitarists Alex Skolnick of Testament and Chris Broderick of Megadeth have joined forces to create the first annual Skolnick & Broderick’s Winter Guitar Retreat. This unique experience offers a select group of guitarists of all talent levels the opportunity to expand their horizons while spending four days and five nights studying and jamming with Broderick and Skolnick in a relaxed setting at Full Moon Resort in New York’s Catskill Mountains from December 26-30, 2011.

While best known for their work with Testament and Megadeth, Skolnick and Broderick are diverse, well rounded musicians with backgrounds and training in rock, jazz, classical and blues.

Skolnick & Broderick’s Winter Guitar Retreat will include master classes with Skolnick and Broderick, jam sessions, open mic nights and optional private lessons. Attendees are invited to expand their knowledge of lead guitar, rhythm guitar, music history, jazz theory, chord theory, harmony, improvisation, counterpoint, composition, chord voicings, improv (taught by Skolnick), classical fingerstyle technique (taught by Broderick), and of course heavy metal guitar. Guitarists will learn techniques to increase speed and improve tone, while hearing stories about life on the road, getting gear tips and much more. Nathan Peck (bass) and Matt “Zebar” Zebroski (drums/percussion) of the Alex Skolnick Trio will provide rhythm accompaniment for jam sessions throughout the week.









“I’m really looking forward to partnering with my friend Chris Broderick for our Winter Guitar Retreat,” says Skolnick. “Each of us has a unique, individual approach to guitar and it’s always fun to share one’s experience with deserving students. Therefore, we’ve decided to join forces and create the ultimate post-Christmas, pre-New Year’s getaway for amateur and pro guitarists alike.”

Broderick concurs: “Come join Alex and myself this winter for a comprehensive look at how we view the guitar. It will not only be insightful, but relaxed and fun as well. We will cover things such as stage performance, live jam sessions, and all kinds of helpful guitar playing tips that you can utilize. I look forward to seeing you at this incredible event.”

Skolnick & Broderick’s Winter Guitar Retreat will provide a full vacation experience, including gourmet meals from the in-house chef. In addition, Full Moon Resort is conveniently located close to a full array of winter activities including skiing and snowboarding.

A special 10% discount for Skolnick & Broderick’s Winter Guitar Retreat is available for those who register and pay in full before October 31, 2011.

For full details, go to: http://sbwinterguitarretreat.com/site/.

On Tuesday, April 5 at 7 PM the ALEX SKOLNICK TRIO will be performing live at Best Buy Union Square in New York City.

The Trio will be doing a 20 minute set followed by a 20 minute guitar clinic with guitar god Alex Skolnick (Testament). After that the Trio will sign their new album Veritas in stores 3/29.

Buy Veritas at Best Buy Union Square starting 3/29 at 12:01 AM and get a wristband to meet the Alex Skolnick Trio!

Not in NYC? You can stream the event live at www.liveatbestbuy.com!









For more ALEX SKOLNICK TRIO click here.

THE ALEX SKOLNICK TRIO returns with their fourth album Veritas on March 29th. Veritas (Latin for “Truth”) is AST’s first release on innovative Jazz label Palmetto Records. The 11-track album contains nine original compositions, a cover of METALLICA’s ‘Fade To Black‘ and a bonus remix of the song ‘Bollywood Jam‘ by Jay Sustain and Nik Chinboukas. The record was produced by Alex Skolnick and recorded at Spin Recording Studios in Long Island City, New York.

Alex Skolnick is a true guitar hero. At sixteen years old, he joined a group of twenty-somethings who’d formed a thrash metal band called Testament. Alex stayed with the band through five critically acclaimed albums and countless tours with, among others, SLAYER, MEGADETH, JUDAS PRIEST and WHITE ZOMBIE. After hearing and seeing one of MILES DAVIS’ electric bands on TV, Alex relocated to New York City to play and study jazz.

Alex Skolnick Trio (AST) was formed while Alex was earning his BFA in jazz from New School University in Manhattan. AST has been lauded by critics, fans and musical heroes alike ranging from Downbeat to Jazziz to the Village Voice to Kirk Hammett of Metallica.

Veritas will become a favorite of music fans that enjoy some of the pillars of Jazz guitar – Scofield, Pat Metheny, Wes Montgomery, Bill Frisell, Jim Hall and George Benson – but recast from an edgier and more energetic perspective. Veritas is poised to further push the boundary of contemporary Jazz as fans of harder rock and metal are fast becoming a significant new audience in Jazz. It is this fast-growing group of listeners that forms the core fan base of AST. They want truth in live performance, they want truth in great songs, they want Veritas.

The Alex Skolnick Trio will tour internationally all throughout 2011 in support of Veritas.

For more ALEX SKOLNICK TRIO click here.

Members of METALLICA, MACHINE HEAD, DEATH ANGEL, FORBIDDEN, SKINLAB and D.R.I., as well as former members of EXODUS, OVERKILL, S.O.D., POSSESSED, SACRILEGE B.C. and STEREOMUD, are among the musicians who made an appearance at a special event to celebrate the life of Debbie Abono, a well-respected and much-loved manager and promotional machine behind some of San Francisco Bay Area’s strongest metal bands (POSSESSED, FORBIDDEN, EXODUS, VIO-LENCE, SKINLAB), who passed away on May 16 after a battle with cancer. She was 80 years old.

According to an obituary published in the Contra Costa Times on May 30, 2010, “Debbie was in her mid-fifties when she plunged into the Bay Area’s heavy metal/thrash metal music scene. She quickly [started working with] some of the Bay Area’s strongest metal bands (POSSESSED, FORBIDDEN, VIO-LENCE, EXODUS, SKINLAB) as well as Chicago’s BROKEN HOPE, Florida’s OBITUARY and CYNIC, Ohio’s SPUDMONSTERS, and from Texas SKREW. Many of these members who have gone onto further success with their careers with Debbie‘s constant guidance. She is known around the world not only for the work she has done for countless musicians, band crew members and their families, but more so for her heart and generosity and her ability to uplift, motivate and empower all those around her to always be honest and to be their best.

“After recently learning that Debbie was gravely ill, James Hetfield of METALLICA, another Bay Area legend, gave a verbal tribute before singing the hit song ‘Nothing Else Matters‘ at a performance in Belfast, Ireland. Alex Skolnick, guitarist for TESTAMENT, posted the following statement: ‘In the mid-1980s when most folks over forty were afraid of metal, there was Debbie Abono, a kind, sophisticated woman in her 50s. She saw right through the pentagrams, upside-down crosses, leather and spikes and recognized that some kind souls lay underneath the anger reflected much younger, often-misunderstood group of metalheads and became manager to some of the heaviest bands. By doing so, she helped us realize that older people weren’t so bad either.’ TESTAMENT also dedicated the song ‘Alone In The Dark‘ [to Debbie] during the band’s May 16, 2010 performance in Enschede, Netherlands.”

Debbie‘s love for music from Frank Sinatra and Dean Martin through METALLICA and MACHINE HEAD inspired her to set up a music scholarship through Mechanics Bank.

Donations can be made through this web site and via check payable to “East Bay Community Foundation” and should be accompanied by a note designating that the gift is for the Debbie Abono Memorial Fund for Music. Contributions should be mailed to The East Bay Community Foundation, Attn: Giles Miller, 200 Frank H. Ogawa Plaza, Oakland, CA 94612.

From Alexskolnick.com:

“It’s been nearly ten years since my first TSO Winter Tour. Each year it’s been an incredible experience, traveling from arena to arena being an important part of the largest symphonic rock production in history. This year, however, I’ve decided to make the difficult decision of stepping out of the spotlight (and lasers, fog, fire and snow) and embarking upon new adventures.
The reasons for this are twofold. As one might imagine, the TSO winter tour is a demanding one- with long days and an action packed show that calls for no less than 200% of yourself, often twice a day from the mid-October rehearsals to the final show in January. While the awesome response from fans and the collaboration with fellow performers make it beyond worth it, there comes a point, after so many years of annual grueling intensity, for some of us to draw upon that quarter of a year’s worth of time and energy in order to launch a renewed focus on our own visions.”

Read more of ALEX SKOLNICK‘s post here.

ATO Records is excited to announce Rodrigo y Gabriela‘s upcoming US Tour Dates and new music video for the single “Hanuman” from their recent release 11:11. This summer Rodrigo y Gabriela headline remarkable venues including the Red Rocks Amphitheatre outside of Denver/Boulder, CO, and Greek Theatres in LA and Berkeley, cementing them as one of the top touring acts in the nation.

The duo’s beautifully-shot, larger than life new video for “Hanuman” was directed by Olallo Rubio and shot in Mexico near Zihuatanejo. The video hearkens back to a particular Pink Floyd performance amidst the ruins of Pompei.

It has been an amazing year for the duo as they have reached new heights and audiences across the United States and even within the White House – on May 19th, Rodrigo y Gabriela shared the stage with Beyonce as the musical guests for The President’s State Dinner with Mexico.

In 2010 they have played The Tonight Show with Jay Leno, Lopez Tonight, The Today Show, and Tavis Smiley. In April they reached another milestone with a Sold Out performance at historic Radio City Music Hall where they were joined on stage by many musicians including their heroes Robert Trujillo Metallica and Alex Skolnick of Testament/The Alex Skolnick Trio. To date Rodrigo y Gabriela have sold over 1,000,000 albums world wide. They look forward to playing for fans in the United States this August and September.

Upcoming US Tour Dates:
AUGUST
13 – Redmond, WA – Marymoor Amphitheater
14 – Troutdale, OR – Edgefield
16 – San Diego, CA – Humphrey’s
18 – Los Angeles, CA – Greek Theatre
20 – Morrison, CO – Red Rocks Amphitheatre
21 – Berkeley, CA – Greek Theatre
24 – Vienna, VA – Filene Center at Wolf Trap
26 – Boston, MA – Opera House
28 – Highland Park, IL – Ravinia Festival
30 – Baltimore, MD – Pier Six Concert Pavilion
31 – Knoxville, TN – UT Knoxville
SEPTEMBER
02 – Houston, TX – House of Blues
03 – Austin, TX – Stubb’s Waller Creek Amphitheatre

For more information on RODRIGO Y GABRIELA click here.

This interview was conducted on May 29th, 2009 in Raleigh, NC.

When you think of Bay Area Thrash, you think of four bands; Metallica, Exodus, Testament, and Death Angel. Sure there were others of that time, and many that came later. But those four bands defined Thrash Metal and the ‘Bay Area’ sound. Naturally there were none bigger than Metallica, but close on their heels has to be Testament. After 24 years, numerous lineup changes, a throat cancer scare, and a nine year period of inactivity, Testament is back with a new album Formation of Damnation featuring Chuck Billy on vocals, Eric Peterson on guitar, Alex Skolnick on guitar, Greg Christian on bass, and Paul Bostaph on drums. A new tour that is taking the bands to markets they haven’t played in 15 years or more (I caught the show in Raleigh, NC, and there was much debate as to whether Testament had actually ever played Raleigh before). And a new focus and determination to take the band higher and farther than it has ever been before. I met with Alex Skolnick right before their set at the Lincoln Theatre in Raleigh, and talked about Testament, Trans Siberian Orchestra, the Alex Skolnick Trio and life before and after Testament. Here we go….

Away-Team: This is Jim Keller with Alex Skolnick from Testament. Once again I want to thank you for sitting down and doing this interview with us, much appreciated.

Alex: Absolutely!

Away-Team: What I’d like to do basically is start at the beginning of the band.

Alex: Okay.

Away-Team: Testament was originally started as The Legacy..

Alex: Right…

Away-Team: By Eric (Peterson) and his cousin. They had Steve Souza in the band as a vocalist who left to join Exodus before you recorded your first album. It was reported that he actually suggested Chuck (Billy) as his replacement. Why did Steve leave?

Alex: Well it was funny ‘cause he was the guy that gave us all serious talking toos about how everybody in this band has to be serious. You know when I joined the band he’s like you’re either serious, you either take this seriously or you take it somewhere else. We don’t want guys that are just in here that are just gonna leave and join some other band. Sure enough *laughs* he’s the guy that ends up leaving. But you know he left because I think he felt Exodus was going farther, faster.

Away-Team: At that time when you joined, you were a student of Joe Satriani’s Correct?

Alex: Correct.

Away-Team: And after you joined the band did you continue practicing with him, learning from him?

Alex: I studied with him for about two years. I was with him, basically for the first six months I was in the band and then he started getting really busy. He did his first solo recordings. He definitely uh got me to learn a lot more on my own than I would have otherwise.

Away-Team: So, is it kind of a prerequisite that if you’re going to be in one of the better thrash bands out of San Francisco a la Testament, Metallica; you had to learn from Joe?

Alex: Apparently!! Everybody studied with him, yeah!

Away-Team: Before the first album or during the recording of the first album you had to change your name from The Legacy because there was some jazz band apparently that had the name…

Alex: It was a hotel band…

Away-Team: A hotel band had copyrighted the name The Legacy?

Alex: Yeah. A hotel R&B band in New Orleans.

Away-Team: So the story I had heard was that the reason you changed it to Testament was because the CD artwork – everything was already done and the label didn’t want to re-do everything, so you had named the album originally Testament…

Alex: That’s not true

Away-Team: That’s not true, okay, so how did you come up with Testament, then?

Alex: Billy Milano, the singer for SOD came up with the name. Ya know he was on Megaforce Records. So basically an all points bulletin went out, to find a name for the band that Megaforce had just signed. So yeah, I think the guys from Anthrax were suggesting names. Everybody at the record label suggested. We were trying to come up with names and it was Billy Milano that came up with the name Testament.

Away-Team: Did he know you guys or was it just kind of, this is a cool name they should use something like this?

Alex: We had met him, once. But I think he had come up… I feel like I had met him, like maybe when we were recording the first album, and we just, we knew we had to have a name, before the album was released, obviously and it was just one of many suggestions and it was the one, we kind of lived with it for a while and it felt the best.

Away-Team: Your current album, Formation of Damnation, to me is far and away the strongest album you guys have recorded since Practice What You Preach. It’s probably a more straightforward thrash sounding album than some of the last few albums. Was this a culmination of various writing from the last nine years or did you all sit down and write the album together as a whole band?

Alex: No, it was a combination. I think the previous album the guys did when I wasn’t with the band, The Gathering, that was the first one I felt, a lot of people felt, where Chuck and Eric sort of found a formula that works for them. So I didn’t want to really, get in the way of that formula and try to make it 1989 again. But I made a lot of suggestions with the music they were doing and I did bring in some music of my own. Some of that got used; the song F.E.A.R. is something I wrote. But it was more a combination of ideas that Chuck and Eric had had, playing around with some new stuff.

Away-Team: And Eric being the predominant songwriter, music writer for the band, now with this you’re current lineup which is the semi-reunited lineup or the original lineup with addition of Paul Bostaph is it a more of a collaborative thing now or at least going forward to looking at the next album is going to be more collaborative?

Alex: We’ll see, just kind of going to let it happen as it happens.

Away-Team: And will there be a new album?

Alex: There will eventually be, yes.

Away-Team: We mentioned the many lineup changes you guys have done over the years. You being one of them. You guys all got together in 2001 as The Legacy for the Chuck Billy cancer benefit. That show saw the best of the Bay Area thrash scene reuniting for a great cause. Bands like Exodus, Death Angel, Sadus, Vio-lence and of course you. In the last eight years or so, Exodus, Death Angel, you guys now with the Formation of Damnation, have released what many consider to be the best music of your individual and collective careers. Some amazing stuff has come out of the original Bay Area thrash scene in the last couple years. It seems that it’s alive and well again. What do you attribute the current popularity or resurrection of the Bay Area trash scene to?

Alex: Well I think part of it is it’s not as isolated as it used to be. It used to be this very isolated area of music. Pretty much limited to the Bay Area with the exception of ya know Megadeth from LA and Anthrax form New York. I think it’s now like one of many genres of very heavy metal. Ya know you have black metal, you have death metal from Florida and it all relates to thrash metal. There are all these relatives in metal. And now you’ve got some newer bands that have formed in the last ten, fifteen years that in some cases are seeing a lot of success and that’s brought a lot more awareness to the original Bay Area thrash scene. So when we first did the reunion shows it was unclear what kind of type of fan we would have. Was it just going to be Old School fans? But there are actually a lot of young fans that are keeping it alive and well.

Away-Team: Well, if you go in the venue right now; I was very surprised. ‘Cause that was one of the things I looked at as they were lining up out here. Is that they are all going to be my age or our age like a bunch of older guys standing out here but the entire crowd in there tonight has gotta be 25 or younger!

Alex: And if we depended on guys our age, the audience wouldn’t be that big. Let’s face it.

Away-Team: Yeah. Absolutely.

Alex: People get to be our age and they have jobs, families; most don’t go out to shows like they did when they were in their twenties. So it’s nice to have a combination. It’s not that we have, we haven’t lost the original fans. But we do have this big young following now. I think a lot of other bands are seeing that as well, like Exodus.

Away-Team: You had mentioned what I call, like the second wave of thrash.. 10 to 15 year old bands. Today you’ve got bands like the band on stage right now, Lazarus AD. Very, very similar to the old Bay Area thrash style. Warbringer, Municipal Waste a lot of very young bands, that seeing a lot of good response, that can be harkened right back to you guys. It’s like the third generation now. Twenty years later there’s still bands coming out and they’re not Retro, they’re not recreating the sound, but they are continuing it if nothing else and that’s got to really, for you guys to be their inspiration, it’s really got to be something.

Alex: It’s great. It’s also great because for so long we were told our music’s not going to last. It’s passing. It’s in left field. It was this outcast music that nobody predicted a future for. So there’s the answer right there. Great, new young bands that are doing it today.

Away-Team: And twenty four years later, you guys are still out here kicking ass, so it’s very cool. Going back to the formation of not damnation, but of Testament. Can you name one of your favorite memories of the mid to late eighties in the Bay Area Thrash music scene? Some of the shows from The Stone or Ruthie’s Inn or Mabuhay Gardens?

Alex: Yeah, I will say I remember one time Metallica playing at Ruthie’s unannounced, just to do a warm-up. That was great. They did a lot of, they did some punk covers. It was just a fun gig. Uh, there was also this project called Spastik Children, with Cliff Burton, James Hetfield on drums and it was like comedy like sort of South Park before South Park. Completely politically incorrect, funny, bad, badly played on purpose music.

Away-Team: God, I forgot all about Spastik Children…

Alex: Yeah, some of those shows are pretty memorable.

Away-Team: With Metallica coming from L.A., basically because the L.A. scene just couldn’t handle them. The crowds didn’t get what they were trying to do, with you guys, Vio-lence, Exodus, Death Angel, were you kind of a close knit community? Was it kind of you against everybody else? Was there a lot of camaraderie there, or..?

Alex: I’d say there was camaraderie and competition simultaneously. Everybody wanted to be the best band they could and even though a lot of us we didn’t really sound alike. You always had to keep an eye out for the other bands. It’s like different football teams that are all in the same league. You want, as a whole you want to do well, but you still want to come out on top, above everybody else.

Away-Team: I understand. Your current tour, in support of the Formation of Damnation, is unique in that you guys are allowing the fans to vote, via your MySpace page, for the set list they want to hear in their given town. You have three options, The Legacy, plus hits, The New Order plus hits, or a chronicle set list, basically from start to finish of your catalogue. How did you guys come about the idea? How has it been received? And any regrets on having to keep rotating a roughly thirty song playlist on tour?

Alex: It’s worked out very easily, because overwhelmingly everybody’s voted for the Chronicle stuff, so that’s pretty much what we’ve done. And I’m not sure who came up with the idea, but it’s definitely been a very good idea and it’s just been fun to hear from the fans. And in the process they’ve not only voted on the songs, a lot of them have made suggestions a long the way. “We want to hear a chronicle, but we really want to hear this song. Why don’t you play this song?”

Away-Team: And you guys are actually listening and paying attention to what they’re…

Alex: Oh absolutely.

Away-Team: Beside the main lineup changes, you guys have several label changes over the years; mainly due to simple bad luck and the labels folding on you. Did I read though that somehow you guys ended up on a gospel label prior to signing with Nuclear Blast?

Alex: Well I think what happened was we were signed to Spitfire which got bought by another label, which was a gospel label.

Away-Team: OK. And they had no interest in releasing the new Testament CD? Laughs

Alex: Oh, Exactly. I’m sure at first they thought, oh this is perfect.

Away-Team: A “New Testament” band awesome!

Alex: And then they found out what it was and then they let the band go, no problem.

Away-Team: So did Spitfire have some religious bands on their roster?

Alex: I don’t think so. I’m not sure.

Away-Team: Laughs. Alright, you are currently on Nuclear Blast and they are treating you well…

Alex: Treating us great. It’s a great partnership absolutely.

Away-Team: Good, good. When the current tour with Unearth and Lazarus AD, at least the North American leg of it is over, what are you guys’ plans? Where are you going next?

Alex: We’re off for a couple weeks, then we’re going to be in Europe for July and part of August to do a lot of festivals.

Away-Team: Do you have any plans for a follow up album and will we have to wait another nine years for it?

Alex: No, it’ll be recorded next year, most likely released, late, by late next year

Away-Team: Great! With all the side projects, from your various members, Dragonlord, you in Trans Siberian Orchestra, Chuck’s Dublin Death Patrol and your jazz trio, how do you guys find time to get together, to record and tour? And how does that affect, I mean is Testament now the priority or is it ‘we can fit in Testament around these various projects’? TSO’s a big deal, it’s a big show and you have to…

Alex: Yeah, it’s a unique situation, because I was already, I’d already been playing with TSO for several years by the time the Testament reunion happened. So it’s been pretty understood that during the months of the Winter TSO tour I’m not available. I do my best, as far as my trio and I have couple other projects I’m involved with as well, some as a producer which I can’t talk about yet. They’re…They’re gonna be

Away-Team: Then I won’t ask that question…

Alex: Pretty exciting times and projects… We’re doing an album cycle right now. So, since last year we’ve been doing an album cycle, so this, Testament has been the priority. Soon as we’re done with this album cycle I think there’s going to be a slight shift in priorities. The way this record got created was a lot of the basics were worked on while I was with TSO, I would write ideas, which I think is going to happen this next tour as well, and then I think next year, Before the album cycle, before the Testament album cycle starts, that’s going to be a good chance for me to do a lot more stuff with the Alex Skolnick Trio. But then, of course, once the Testament album cycle starts then that’s going to be the priority. It really depends on where we are in terms of the album cycle..

Away-Team: So everybody’s working together though, with all their side projects, everything kind of fits in OK and there’s no real conflict going on with it?

Alex: Yeah, I mean it’s a different thing with me, because with TSO it’s a very set tour. With Dragonlord, Eric decides, when that tours. With my Trio there are people that decide it with me, so we work to make sure that we capitalize on any available time I have to tour with them.

Away-Team: I have heard that some of your solos for Formation of Damnation were recorded while on tour with TSO and done in someone’s bathroom in New York. Is that correct?

Alex: That’s not true. I mean the part about the bathroom is not true. What basically happened was some of the solos were recorded in Albany, when TSO had some days off in 2007. The first studio that we found was a guy’s basement…

Away-Team: It was his basement, OK

Alex: Yeah. And it just, it was an awful situation. We had like 48 hours, we had two days and the goal was to do all of the solos and basically a whole day was wasted. We were getting all of this radio signal out of the amps and the guy had no idea what to do about it. So then we found a really good studio the one that we should’ve been at all along and I did half of the songs, and I did the other half as soon I was done with the TSO tour.

Away-Team: Now did you already have the solos worked out or a rough idea what you were going to do with them…

Alex: I had a couple rough ideas, but some of them I came up with on the spot….

Away-Team: ‘Cause they’re some outstanding solos.

Alex: Thank you!

Away-Team: Across the board the musicianship and the work on Formation of Damnation is actually very stellar…

Alex: I appreciate that.

Away-Team: Paul Bostaph is currently drumming for you. This his second stint in the band now. He’s played with some other great bands besides Testament. He started out with Forbidden… Slayer, Exodus and another not as well known Bay Area band, but that I’m very familiar with, Systematic. He’s kind of become known as the ‘go to’ metal drummer, almost like a journeyman. Is he now a permanent member of Testament?

Alex: It certainly feels that way. That remains to be seen. Yeah, it definitely feels that way. I know on our end there’s no thought of working with anybody else…

Away-Team: OK, so Louie’s not going to come knocking on the bus one day? Where is Louie?

Alex: Louie comes… Louie makes appearances. He’s always… He always visits us when we play. He was just on tour with us for three days…

Away-Team: Oh, really?

Alex: He doesn’t really play any more. He just likes to hang out. We like having him around. It works out well. We get him away from his job. He’s like a, a relative…

Away-Team: Is there anything you haven’t done yet, goal-wise or music-wise that you still want to? And what is it?

Alex: Yeah there’s a lot of things. Definitely, I’m close, I mean I feel like with my instrumental albums I’m able to do the music that’s in my head. Which is great! For me it’s just getting my instrumental stuff to a wider audience. And I’d like to see Testament reach a wider audience as well. The truth is, what I would really like to see is the trio playing venues like Testament’s playing; those size crowds. I’d like to see Testament playing to crowds more like TSO’s.

Away-Team: Absolutely!

Alex: I get this experience of every year playing in front of a packed arena. Sometimes twice a day! And this band has never experienced that. That kind of production, that kind of audience. We’ve had some great support slots in arenas. But I think this could be a great arena band.

Away-Team: You guys have never actually headlined arenas?

Alex: Never

Away-Team: Really. Wow, I did not realize that.

Alex: Yep!

Away-Team: There’s many bands out there today that are citing Testament as an influence, as a musician it’s got to be an ultimate compliment. How do you react to something like that? I mean, how does that make you feel?

Alex: Great! It feels great. It’s a great compliment. It’s not something you think about while you’re doing it, while you’re in the studio or playing live; about having an influence on somebody else, you just do what you do. But when you hear that, it’s amazing, ‘cause having had many influences myself, just to think that I was able to be what I saw in my favorite guitars players, other people are seeing in me, which is really, really cool.

Away-Team: Who are some of your influences?

Alex: Well, it started out with Randy Rhodes and Eddie Van Halen, Michael Shanker. I studied their influences, Jeff Beck, Clapton, Hendrix and then the classic Blues players. And then once I got into Jazz, Wes Montgomery, Pat Metheny…

Away-Team: What made you pick up a guitar to begin with?

Alex: KISS.

Away-Team: Really?

Alex: Yep. I discovered KISS and wanted to play KISS songs.

Away-Team: And it was the guitar always?

Alex: It was piano, very briefly in third grade. And then I had a bad music teacher and I, I quit piano. Now I bought a piano. I still like to play, but I have no plans to play professionally.

Away-Team: We’re not going to see you in a hotel lounge somewhere tickling the ivories…

Alex: Not anytime soon!

Away-Team: Well Alex, that pretty much wraps up my questions. I do appreciate your time… I wish you much luck with the rest of the tour…

Alex: Thank you!

Away-Team: The festivals this summer, of course TSO in the winter and then at some point next year we’ll hear a little bit from the trio again.

Alex: Yeah, yeah, going to try to squeeze out a new trio album. Or at least an EP this year.

Away-Team: Great! Alright, well I appreciate it Alex, thank you very much again for your time!

Alex: No problem Jim, good to see you again.

There you have it. We got some shout outs to Cliff Burton, James Hetfield and Spastik Children, Billy Milano of MOD and SOD, and KISS! My thanks to Brian at Adrenaline PR for setting up the interview, Mark for ensuring it actually happened, Alex for jumping in last minute and rescuing the interview, and Bam Bam as always for getting me in the interviews to begin with!
If you haven’t heard Formation Of Damnation go pick it up NOW!!!! And check out Testament on the road. The show that night was nothing short of amazing. The guys played with a furiousness that belied their age, and a sense of fun and having a good time. The music and vocals were spot on, and I did not hear one person walk away from that show with a bad word.

For more information on TESTAMENT visit their site here.
For more information on Alex, and the Alex Skolnick Trio click here.

A longer, never-before-heard edit of an interview with late METALLICA bassist Cliff Burton, conducted by Ken Kitt of Metal Fanzine on January 31, 1984 in Cortland, New York (after METALLICA‘s show at the Riverboat in Rochester, New York) can be streamed in the Vimeo clip here.

On September 27, 1986, METALLICA bassist Cliff Burton lost his life at the age of 24 in a coach crash near Ljungby, Sweden.

Burton‘s huge talent and achievements were chronicled in book form with the 2009 global publication of “To Live Is To Die: The Life And Death Of Metallica’s Cliff Burton“, written by U.K.-based author Joel McIver and published by Jawbone Press. The foreword has been provided by Cliff‘s close friend in METALLICA, Kirk Hammett. Other interviewees who spoke to McIver for this book, many for the first time on the public record, include Cliff‘s bass teacher Steve Doherty; legendary reporter and photographer Brian Lew; Bay Area headbanger Harald Oimoen, the subject of “The Ballad Of Harald O” by the infamous SPASTIK CHILDREN, in which Cliff played; that band’s frontman Fred Cotton; EXODUS founder Gary Holt; the Metal Blade label founder Brian Slagel; photographer Ross Halfin; Cliff‘s first guitar tech Chuck Martin; METALLICA‘s first fanclub manager KJ Doughton; “Ride The Lightning” and “Master Of Puppets” producer Flemming Rasmussen; the last reporter to interview Cliff, Jörgen Holmstedt; roadie and ex-METAL CHURCH guitarist John Marshall, who was also in the bus crash which killed Burton; Lennart Wennberg, the photographer at the scene of the crash; and Cliff‘s girlfriend for the last year of his life, Corinne Lynn.

After Kirk Hammett‘s foreword, separate introductions are provided by a range of musicians influenced by Burton, including Mikael Åkerfeldt (OPETH), Alex Webster (CANNIBAL CORPSE), Alex Skolnick (TESTAMENT), Dave Ellefson (F5, MEGADETH) and a host of other musicians and writers.

Source: Blabbermouth.net